Since I was wrapped up in Daredevil last week, I thought I would point out a few choice items from today and last Wednesday.
Vampirella #1 – Written by Kate Leth with art by Eman Casallos
The last of Dynamite’s Gail Simone driven reworks, Vampirella Vol. 3 #1 strips the lead character of her one-piece ribbon of a costume for something more practical for a fighter of the supernatural. I find it nice to see Vampirella step into the modern age.
The first issue of the series follows Vampirella as she makes a move to Los Angeles. Beyond the regular crop of monsters and other vampires, she also has to face the threat of the paparazzi.
The book does offer up a good jumping on point for the curious reader. Its words and art flow smoothly and provide solid fare. Relationships continue from previous volumes, but nothing so complex that they can’t be understood within the first couple of pages. I found it a fun read and I’m looking forward to picking up more.
Black Widow #1 – Written by Mark Wade with art by Chris Samnee
The promise of Mark Wade’s work on a comic sucked me in again. He does not disappoint.
The book starts in media res and keeps the action moving throughout. The first issue relates one long chase scene, establishing Black Widow as the preeminent spy and, above all, a survivor.
The reader is left wanting more when the final page turns. There’s not much substance to the opening issue of the new series, but it was enough to make sure I added the book to my pull list.
Leaving Megalopolis: Surviving Megalopolis #3 – Written by Gail Simone with art by Jim Calafiore
What happens when all the superheroes of a city go insane? Gail Simone answered that question in last year’s, Kickstarter funded graphic novel, Leaving Megalopolis. The book painted a picture of a world filled with sadistic, super powered horrors.
Surviving Meglopolis revisits the devastation of the metropolis to offer a more thorough exploration of the mortals who were left behind. Overall, the comic provides a fascinating look at the abuse of power and its affects at a street level. Neither the words or art shy away from the potential, all too realistic, results of dominion gone mad.
I believe it one of Gail Simone’s best works and well worth a look see.